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Beautifully illustrated family history books with a difference by a frequent contributor to the UK family history press. I write for Family Tree Magazine UK; Discover Your Ancestors Online Periodical and Bookazine; Who Do You Think You Are? Magazine. The publishers of my family history books are Pen and Sword Books and The History Press. I tweet (and retweet) thought-provoking content designed to help you tweak your approach to (your family) history at @RuthaSymes . Do follow me.

Thursday, 19 October 2017

Want to hear your ancestor's voice....?

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If only they could shout a little louder! Accessing how an ancestor might have spoken can be a difficult but rewarding task. 
Credit: Wood engraving. Wikimedia Commons

Wouldn’t it be wonderful if we could hear the voices of our ancestors? Not just second-hand through the anecdotes told about them by subsequent generations, but first-hand, just as they spoke? Sadly, despite a longish history of sound recording stretching back to the 1860s, recorded evidence of the voices of our ordinary ancestors is most unlikely to exist before the last decades of the twentieth century.

The First Recordings of the Human Voice

The first sound recordings of any kind were made in the very late 1850s. An organisation First Sounds (www.firstsounds.org) aims to have digitally preserved every ‘airborne sound recording’ known to exist from before 1861, as well as many subsequent early sound recordings. You can listen to some of these for free on its website. The earliest known recording of a human voice (made audible by this project in 2008) was created on April 9th 1860 and features Parisian bookseller and printer Édouard-Léon Scott de Martinville singing ‘Au Clair de la Lune.’ Listen to it here.  https://www.youtube.com watch?v=uBL7V3zGMUA

The first machine capable of both recording and reproducing sound was the phonograph invented by Thomas Edison in 1877 (this image is probably from April 1878). The machine worked by producing a physical trace of the variations in audio-frequency created by the human voice on a wax cylinder.
Credit: Brady-Handy Photograph Collection (Library of Congress) via Wikimedia Commons  

t was extremely rare, however, for a human voice to be captured with any degree of clarity before the last decade of the Victorian period. At around this time, many well-known or significant people made recordings of their voices which can now be accessed through the video site You Tube (www.youtube.com/). These included the poets Robert Browning (1889) (https://www.youtube.com/watch?v=OYot5-WuAjE), the actress Sarah Bernhardt (1903) (https://www.youtube.com/watch?v=FjyB18FVGNc), and the German statesman Kaiser Wilhelm II  (1914) (https://www.youtube.com/watch?v=eBKzCt-0DyY). It’s worth just tapping in a famous name from history on the You Tube site and seeing what comes up.

It’s possible, of course, that you might have fragments of recordings of the voices of ordinary people who lived in the twentieth century captured on telephone answering machines or office dictaphones. Another early method of voice recording  - the Voice-o-graph machine - was popular between the 1930s and the 1960s in fairgrounds, on piers and in amusement arcades. Users paid to enter a booth where they were encouraged to record themselves speaking or singing for up to two minutes. The subsequent recording was made into a disc of laminated cardboard six inches in diameter. This could then be mailed to friends or family as a sort of talking telegram or ‘audio postcard’ which could be played on the receiver's home record player. The discs were rather   flimsy and could only withstand a few playbacks. They were eventually superseded by the tape recorder  in the 1970s. For more detail see www.obsoletemedia.org/Voice-o-graph.

If (as is most probably the case) none of these kinds of records are available in respect of your family, there are, nevertheless, a surprising number of other ways in which you might get close to the sound of your ancestor’s voice.

Voices in Online Archives

You can get an approximation of how your ancestor might have sounded by listening to audio recordings of people who come (or came) from the same part of the country. The easiest way to access these is probably through the video site You Tube (www.youtube.com/). Just type in the kind of accent or dialect that you would like to hear and sit back and watch. 

It’s also worth checking if the local archives and County Record Offices in the places in which your ancestors lived hold any sound recordings made by them or (more likely) by people like them who lived in the same area, worked in the same industries or shared similar experiences (e.g. the closing of a factory, or the dropping of a bomb in WW2). You can search the holdings of archives across the country in the Discovery section of the website of the National Archives. http://discovery.nationalarchives.gov.uk/ 

Henry Wallace, U.S. Secretary of Agriculture, using a dictaphone on 20th September 1937. Dictaphones (trademarked by the Columbia Graphaphone Company in 1907) were used in offices and courtrooms throughout the early part of the twentieth century until they were replaced by digital recording in the 1980s.
Credit: Wikimedia Commons
One rich example of a locally-held sound resource is The Greater Manchester Sound Archive (http://www.archivesplus.org/news/greater-manchester-sound-archive/). You can listen to over 5,600 sound recordings on cassette, CD and via mp3 download at Central Library, Manchester at any time, and (by appointment) at other libraries around the Greater Manchester area. The ‘Oral Histories Collection’ includes stories of places, dialects, communities, immigration, war, pastimes and industries around Greater Manchester. Of particular interest are the Paul Graney Memory Tapes (collected by an amateur sound collector from the 1950s to the 1970s) which include interviews with prostitutes, the homeless, poachers, canal men and mill girls. 

The British Sound Archive (http://sounds.bl.uk)/ online includes over 50,000 (recordings selected from the entire collection of over 3.5 million sound records held in the British Library, London). In the Accents and Dialects section, you can listen to excerpts from the Survey of English Dialects (SED) which was conducted by researchers at the University of Leeds under Harold Orton between 1950 and 1961. People in 313 areas of Britain were interviewed; these were mainly men over the age of 65 in low-level occupations living in rural areas. A second area of interest might be the Oral History section which includes historical interviews on all sorts of subjects from food, to architecture to the steel industry with an important subsection that includes interviews with Jewish survivors of the Holocaust.

Another useful online resource is Soundcloud (https://soundcloud.com/). Various museums and historical institutions have uploaded material to this site. Simply type in the region or the subject in which you are interested in the search box and see if anything relevant comes up. A stunning example is a military man’s reminiscences of his time at Gallipoli https://soundcloud.com/archivesplus/fusilier-2  which has been uploaded by the Greater Manchester Sound Archive.  

Meanwhile, the Speech Accent Archive (http://accent.gmu.edu/ ) collects together thousands of accents in spoken English from around the world. This is a fascinating resource set up by Professor Steven Weinberger at George Mason University. Speakers have been recorded reading the extract below, which contains all the main sounds in English.

Please call Stella. Ask her to bring these things with her from the store: six spoons of fresh snow peas, five thick slabs of blue cheese, and maybe a snack for her brother Bob. We also need a small plastic snake and a big toy frog for the kids. She can scoop these things into three red bags and we will go meet her Wednesday at the train station.

If you know exactly where abroad your ancestor came from to the UK, you can tap in the place name,( and even refine your search by the gender and age of the speaker) in order to hear a person with similar characteristics speaking this paragraph. Alternatively, if you have a voice recording of an ancestor (or even just a memory of an ancestor’s voice), you can compare it with the store of accents on the site to determine which country (and even which part of a country) an ancestor might have come from!

Another useful tool when investigating accents and dialects from the past is the English Dialect App which is freely downloadable to both iPad and android devices. Answer the questions posed on the App and it aims to be able to pinpoint exactly where you come from in the country

The nursing pioneer Florence Nightingale made several voice recordings to raise money for the impoverished veterans of the Charge of the Light Brigade. One of these made on 30th July 1890 can be heard on www.youtube.co.uk and consists of the following lines: 'When I am no longer a memory - just a name, I hope my voice may perpetuate the great work of my life. God bless my dear old comrades of Balaclava and bring them safe to shore.'
Credit: Wikimedia Commons

Voices in Written Records

Sometimes, you might get a glimpse of what an ancestor sounded like from a written source, a letter or diary for example. On Thursday 17th March 1836, for instance, Queen Victoria recorded in her journal that ‘(Cousin) Ferdinand speaks through his nose and in a slow and funny way, which is at first against him, but it very soon wears off.’ At other points in the journal she refers to the ‘peculiarities of [Ferdinand’s] voice and manner of talking’ and his ‘merry funny voice.’ Such references in personal writing are more likely to occur, of course, if the person in question had a voice that was distinctive or unusual in some way.

Ancestors who turn up in newspaper reports (found, for example, by searching   www.britishnewspapersarchive.co.uk) are sometimes accompanied by written accounts of statements that they made. Likewise, defendants and plaintiffs in court records (to be found in local archives and County Record offices) might have had their words recorded. When, for example, working man and jury member Benjamin Gonalay was signed in as a jury member at a court in Shoreditch, London in August 1875, he was asked how he spelt both  his first name and his surname. He answered belligerently,  ‘How do I know? I tell you I can’t write. My son knows but he ain’t here. There’s only one way of spelling Benjamin.’ There is enough detail in this transcript of Gonalay’s voice in The Evening Telegraph for us to be able to sense something of his class status and his personality. The content of this particular example also reminds us that without such documentation of speech many illiterate people would be lost from history entirely.

A further offbeat way in which you might learn something about the way in which your ancestors spoke is by thinking a little about words and phrases that might have been passed down from them to the current generations of your family. The phrase ‘A dimple on the chin, the devil within,’ for example, is of Irish origin and may have come to Britain with immigrants in the mid nineteenth century.  For more on inherited phrases see my article ‘By Word of Mouth’ (http://searchmyancestry.blogspot.co.uk/search?q=by+word+of+mouth). The most interesting inherited phrases in your family will probably be those which describe the weather, eating or toileting habits, and often have a metaphorical  element.

The Voice of Queen Victoria

One of the most intriguing old sound recordings available for general consumption online today is a 20 second snippet recorded on a wax-coated cardboard cylinder (graphaphone) that purports to be of the voice of Queen Victoria. It is in fact, fairly certain that Queen Victoria allowed her voice to be recorded by solicitor Sydney Morse (who had distant connections with the pioneer of sound recording  - Alexander Bell), in an early experiment conducted at Balmoral in the autumn of 1888. What is less clear, however, is whether this recording found in the Science Museum, London, is the actual one.

Queen Victoria whose voice recording (apparently made in 1888) has intrigued and baffled historians.

Credit: From: Britain and Her Queen, by Anne E. Keeling http://www.gutenberg.org/etext/13103 via Wikimedia Commons

Whilst most of the recording consists of a poor crackling sound, there are listeners who have claimed that they can hear Victoria saying: ‘My fellow Britons,’ ‘Greetings, Britons and everybody,’  ‘The answer must be’ and ‘I have never forgotten.’ A grandson of Sydney Morse claimed to remember having heard the recording as a child and being able to make out the word ‘tomatoes’ – but, unfortunately, no subsequent listeners have been able to corroborate this! Perhaps you can do better? Why not listen to the recording yourself at  https://www.youtube.com/watch?v=RVmf10OcVUQ

Find Out More

Paul Tritton. The Lost Voice of Queen Victoria: The Search for the First Royal Recording. London: Academy Books, 1991.

http://cadensa.bl.uk/cgi-bin/webcat Sound and Moving image catalogue at the British Library.

http://news.bbc.co.uk/1/hi/magazine/6968321.stm How the BBC Sound Archive came into being.

http://www.charm.rhul.ac.uk/history/p20_4_1.html A Brief History of Sound Recording to 1950

http://www.recording-history.org/HTML/answertech1.php The history of the telephone answering machine.

https://en.wikipedia.org/wiki/Dictaphone  History of the Dictaphone

http://www.telegraph.co.uk/news/newstopics/howaboutthat/11341071/Seven-unique-voices-saved-by-the-British-Library.html Listen to the voices of such historical figures as nursing pioneer  Florence Nightingale, suffragette Christabel Pankhurst, writer James Joyce, poet Alfred Lord Tennyson and actor Noel Coward.

http://www.smithsonianmag.com/history/in-search-of-queen-victorias-voice-98809025/ Article by Mike Dash on the early recording of Queen Victoria’s voice.

This article was first published in Discover Your Ancestors online periodical 2017.

My books provide similar creative approaches to family history

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Friday, 29 September 2017

Actually Listen - Tracing Your Ancestors Through Sound - Includes Example Sound File To Try

'Sounding Out the Past '

my article in November 2017's Family Tree Magazine UK

Recreate the soundscape of your ancestors' lives and experiences using the multitude of audio records online and in the archives.

Example: Click below to hear gardener John Cornelius (b.1949) talking about his ancestors who worked in the Somerset gloving industry (British Sound Archive file)

Finnish Broadcasting Archive, 1930, Wikimedia Commons

For more creative approaches to (family) history, follow me on

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Tuesday, 12 September 2017

Branwell Bronte - What the Records Hide

See my article to celebrate the bicentenary of  Branwell Bronte's birth in this month's

Discover Your Ancestors Online Periodical

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Wednesday, 2 August 2017

Ancestors' appointment diaries

How did your ancestors organise their time?

See my article on ancestors' appointment diaries in this month's issue of Discover Your Ancestors online periodical (August 2017) (by subscription)

Read about how Charles Dickens, Virginia Woolf and Emma Darwin used their appointment diaries. 


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Friday, 26 May 2017

Helen Stratton Original Watercolour - For sale

Beautiful original watercolour painting by Victorian/Edwardian artist and children's book illustrator

Helen Stratton (1867-1961)

   For Sale

Buy  Directly From naomi@naomisymes.com
or from ABE BOOKS: bit.ly/2rGrzUP

Helen Stratton, Walberswick Marshes

             Walberswick Marshes, Suffolk c 1910 ?

Signed by the artist

Detail from Walberswick Marshes - Walberswick bridge

Date unknown. An original delicate watercolour painting on card (unframed) believed to be by the artist Helen Stratton (24.5 cm x 27.5cm or 9.5 inches x 10.5 inches). Stratton is a highly-regarded illustrator of children's fairy tales. Signed with initials in bottom right-hand corner (active 1891-1925). Framer's plate (which is separate, but which has presumably been on the back of the picture when framed) gives provenance - Walberswick Marshes - Helen Stratton - and her London address: 113 Abingdon Road, Kensington. The picture, in greens and blues, is of a bridge over marshland. Walberswick in Suffolk was a haven for artists in the 1890s and 1900s and is associated with Philip Wilson Steer and his circle of English Impressionists. The card has suffered a little acidification from the original backing boards. Corners worn, one slightly split, some browning to edges, and light brown staining to top left edge, about 1.5cm wide. Otherwise very good. Bookseller Inventory # C15466

For more on Helen Stratton https://en.wikipedia.org/wiki/Helen_Stratton. Other illustrations by Helen Stratton https://binged.it/2qjaCjp

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